If the male gaze was ruling the director's chair, it's probable that some skin would have been shown right then and there. Firstly, Diana almost strips in front of everyone, unaware of the concept of a dressing room, but Jenkins quickly advances the scene before Diana can take anything off. What follows is slightly clumsy and fully comical. During the scene, the beautiful Gadot tries on a string of ensembles.
To keep Wonder Woman hidden, Steve takes her to a clothing shop to fish out a new outfit. When Wonder Woman Tries On Multiple Outfits In fact, it likely could have looked like a sex scene straight out of 300.ģ. Had someone else directed this scene, it might not have been so soft and gentle. She upholds her privacy and leaves what happens behind closed doors up to viewers' interpretations instead of seizing an opportunity to expose Gadot's body. This cutaway scene is an example of how Jenkins respects Wonder Woman. There, the audience watches snow fall softly, giving the impression that if lovemaking is going on behind the closed windows, it's happening just as delicately and affectionately as the snowfall making contact with the pavement. The two kiss passionately, when suddenly, the camera transports audiences out of the bedroom and onto the cement pavement outside. Steve walks Diana to her room as she flashes him "come hither" eyes. In the film, it can be safely assumed that Diana and US Air Force Captain Steve Trevor (Chris Pine) make love as snow falls gently outside the place they're staying at for the night. Below are four Wonder Woman scenes that might have been very different if they had been directed by a man - or to generalize less, a director who catered to the male gaze. Moments come and go in the film that could easily be sexually charged, but Jenkins defuses them before our very eyes. There's no denying that Gadot makes a drop-dead gorgeous Wonder Woman, but her beauty is continually bested by her bravery and smarts. Jenkins presents Wonder Woman tastefully in other ways. Jenkins also turns down the volume on the Wonder Woman outfit by dulling and muting the loud hues from her comic book past, Jenkins allows the DC queen's personality to bring color to the big screen.
For starters, Jenkins eliminated the stars around Wonder Woman's groin region. Doing so safeguards both star Gal Gadot and Wonder Woman's image as a respected, feminist icon and shields the princess of Themyscira from becoming yet another filmic sex object. Throughout Wonder Woman, director Patty Jenkins repeatedly puts up a stop sign right before things could take a sexual turn in the female-led superhero film.
0 kommentar(er)
